All prints are made on Hahnemühle Photo Rag Baryta 315 gsm cotton paper using archival pigment inks. Or the equally superb Canson Photographique II Baryta 310gsm. These museum-quality paper provides exceptional detail, rich contrast and long-lasting durability.

The prints are made using archival Lucia pigment inks from Canon on museum-quality paper. When displayed under normal indoor conditions, the prints are designed to last for many decades without noticeable fading. The inks are not fading for almost 100 years if framed behind UV safe gallery glass.

Yes. Every print is individually signed and numbered by the photographer.

Yes. Each photograph is released as a limited edition. A4 prints are limited to 40 copies, and A3+ prints are limited to 25 copies. Larger sizes from A2 and upwards are limited to 10 copies. Each print is individually signed and numbered. Once the edition limit has been reached, the photograph will no longer be available for purchase. Each size is released as its own limited edition.

No. Prints are delivered unframed so collectors can choose framing that suits their interior. Professional framing with optional mat and UV-protective, non-reflective gallery glass is available upon request. For example, framing an A3+ print typically costs around NOK 2300, depending on frame style but with a mat and non-reflective gallery glass.

All prints include a small 5 cm white border on all sides, to allow for framing without covering the image. A4 paper size is 29,7 x 21 cm A3+ paper size is 48,2 x 32,7 cm Lager sizes as A2 (59,4 x x42,0 cm) and A1 (84,1 x 59,4 cm) or even larger, are available on request.